There is an alter ego that I have and sometimes I have to do things as this other person that dont seem quite so glamorous… This is the job of product photographer. I have a business that makes and sells little devices and I have to take photos of these for the website and then edit them to be “floating” on a white background. This is pretty standard stuff to be honest, not “cool” but still very much needed and important.
Anyway…I also get to do some of the social media photos and on occasion, I will go to the trouble of setting up a light and trying to make something artistic instead of the usual Instagram snapshot.
For product photos, I have bought some studio strobe kits from amazon and these run on wall power and have sync ports to fire them, they also sympathetically fire from a light sensor if you turn that feature on as well. Simple strobe with a power knob and you plug in a sync cable and plug that cable into your camera.
Your camera doesn’t have a sync port you say? No problem, I also use an adapter from Nikon to allow a sync cable to be connected to any camera with a hot shoe on it, which is almost all cameras. So if you want to use a studio strobe and it requires a sync cable, then fear not, I have a solution for you!
I really like to use the sync cable and wall powered strobes as I really dislike batteries and avoid them whenever possible. It just seems that EVERY SINGLE TIME I go to do something with my radio trigger (I have owned several pocket wizards in the past), they would be dead, needing charged batteries. This really is annoying in the commercial setting when time is of the essence and hunting batteries or having to charge them before I can do a project is frustrating to say the least. Hence the sync cable…not batteries and works EVERY TIME…
So this is the photo I got the other day. It was late morning and the machine shop was in full operation. Knowing what I know about strobes and aperture, it was a non-issue though.. I grabbed one of the lights and take it out to the shop floor and rig it to shine down from overhead. I am fortunate in the Sierra thought to grab a photo of the setup for me by the off chance she wanted to see what I got versus what she got. Sierra was blown away by the difference in our images, she had to have the one I captured to show her friends so they would understand why I had such a silly setup just for a photo! LOL.
I wanted a spot where the background was still fairly clear of clutter and we moved a couple of items out of the way to make it a cleaner “in camera” image, but for the most part, you will see in Sierra’s photo that the shop has a lot of stuff sitting everywhere.
To keep the light positioned like that, I just wedged the high leg under a rolling cart that is just outside of frame. This way I could get the light down low and parallel to the floor. This stand is budget and doesn’t have a feature to do this built in. Improvised and got the shot.
I laid down in the floor and manually focused a vintage 75-150mm Pentax zoom lens and got this SOOC photo. I did a few images at different flash powers to get the carbine exposed the way I wanted.
You can see the soft box in the top part of the photo, but since I was going to fade the background to black anyway, it is a non-issue. I next imported the image into GIMP and cropped it to get rid of the excess floor and ceiling, then just painted out the light that was left over. Simple as that. The next step was to take it into my phone and run it through an app I have there called Afterlight. This app allows for several adjustments that I enjoy using, but it also has a framing feature as well and that is my primary desire for the app, so I framed it and then put it on the Gram… Done. You cant see the frame on here because the background is white on this webpage, but on Instagram it shows up just fine, and gives it a very clean appearance.
My takeaway from this whole article is this: you are not tied to the light you see around you. If you have a strobe then all bets are off as to what you can do with your camera. Don’t let yourself get caught up in the mindset that you can only shoot “available light”, that limits you greatly. Build the light in the scene yourself and you will never be beholding to the sun again!
Now get your camera out and go take a picture with it!